Leiden singer Vivienne Aerts uses lockdown to record album – Leidsch Dagblad

One bar and 100 women

Article in Leidsch Dagblad – translated from Dutch to English, interview by Theo de With, picture by Hielco Kuipers.

Click here to support the women and chocolate project !

Read on below my picture 🙂

Vivienne Aerts in het Leidsch Dagblad
Full page in the Leiden Newspaper !!

Singer Vivienne Aerts makes a record with hundreds of other female musicians. In addition to the music, buyers also receive a bar of chocolate.

Leiden ■

She lives alternately in New York and Leiden with her partner Ted Steinebach. Due to the corona crisis, they have now been stuck in their cozy house in the center of Leiden for over a year. Still, that doesn’t stop Vivienne Aerts from working on a new musical project: a CD with a hundred other women.

“Last year, everyone learned at breakneck speed to work digitally,” says 34-year-old singer. “So all these women send me their musical contribution digitally and I turn all those puzzle pieces into a beautiful album.”
Vivienne Aerts graduated as a psychologist, but is also trained at the conservatory. A double job turned out not to be ideal and so she chose a career in music. She now teaches herself at the famous Berklee College of Music in Boston.

No effort

She collaborates with Kenny Werner, a jazz music celebrity who, as a pianist, played with Toots Thielemans, among others. “He teaches making music without making any effort. The music should come by itself. Werner wrote a book about it that has since been sold 150,000 times. He has his own institute at Berklee, which I built with him. There is a lot of interest in his method. In recent times I have mainly taught online. But I can’t wait to go back to America.

When she sat at her computer for a lesson late at night because of the time difference, she often had the feeling that she wanted to make something herself again. Until now Vivienne has released two albums, but the last CD dates from almost ten years ago. “I worked on other people’s musical projects, and now it was time for something of my own.

Chocolate

Her partner Ted Steinebach works as a pastry chef. He was associated with Huis ter Duin in Noordwijk and michellin starred restaurant Eleven Madison Park in New York. Although that is a different world, they still managed to bring their passions together. They introduced “Chocojazz” as a new concept. While Ted makes a painting with desserts, Vivienne adds a so-called soundscape. She makes music and is inspired by the scents, colors and movements of her husband.

It turned out to be a successful concept, which they have now been offering worldwide for six years. They had shows in Leiden in Scheltema and in Museum De Lakenhal, among others. “Our biggest show was in front of a 1.500 audience in Germany.”

Because there are many abuses in the cocoa industry, Ted Steinebach searched for an honest chocolate producer. “I’ve been working with the Original Beans Chocolate brand for five years now,” he says. “A Dutch company that works with farmers in Africa and South America who grow cocoa beans in a natural way. Their motto is “One bar, one tree”. And, for every chocolate bar sold, they replant a tree.”

In Congo, the company works with a plantation that is entirely owned by women. “Many men died during the bloody conflicts. With the proceeds from the plantation, these women can eat and send their children to school.”

Sounds

Vivienne Aerts planned to visit this plantation in Congo. “I wanted to record sounds on the spot that I can use for samples. But first came Ebola and then Corona; so that is not possible for the time being. However, the BBC has made a documentary about this plantation. I may be able to use their sounds.”She does see chocolate as a way to sell her CD. “Hardly anyone buys records anymore,” she says. “But if you order the CD, you get a bar of Original Beans. Then it suddenly becomes a tangible product.”

The CD will contain nine songs with soundscapes in between. “I’ve made a list of all the female musicians I know. Because of my work in the US, these women are now all over the world. I asked a hundred of them to contribute to this project.”

Puzzle

So it will be a record on which only women can be heard. “It is extra special that this also supports a plantation exploited by women. Not all women will be featured in all songs. The songs are still being arranged and then the final puzzle is put together.”

There is now a crowdfunding to get the necessary money together. Vivienne has already received half of the money through presale of the CD. In addition, she receives a number of subsidies. “The record will be there anyway,” she says confidently. “It will be a mix of jazz, electro-pop and some more cinematic music.” She herself hopes to be back in their New York apartment by then. “This CD is still a real online project, but after that I hope to teach in real life again and be on stages again.”

Pre-order the albumVivienne Aerts’ album can already be ordered. In this way she gathers the money needed to finance this project. A CD with a chocolate bar costs 20 euros, but there are also other options with more chocolate. The intention is that the CD will be released in the autumn. For more information: www.vivienneaerts.nl

Read more about the project with 100 women and chocolate, or go to pre-order campaign.

NY Artist Q&A: Louis Alexander Gasser Londoño

For this series of bloggy interviews, I’ve shared questions with young artists and musicians living in New York. This time: bass player Louis Alexander Gasser Londoño. I’ve met him through Berklee College of Music, since we were studying at the Global Jazz Institute together and I’m excited that he wanted to be part of this little Q&A – couch session. In addition to the questions, we met up and played a few songs in my place in Brooklyn together.

 

Q&A with Louis Alexander Gasser Londoño

* WHERE ARE YOU FROM, WHAT DO YOU MISS ABOUT HOME?

Born in Lincoln Nebraska but raised in San Juan, Puerto Rico I miss my circle of friends/craftspeople/artists, the warmth, people’s accents and the laid back yet somehow productive pace of life.

* FAVORITE PLACE IN THE CITY

Toniña’s (on Grand Street)

* FAVORITE NEW MUSIC

Aaron Burnett and The Big Machine! Check out Anomaly, just released!

* FAVORITE OLD MUSIC

Brian Ferry Orchestra

* WHAT’S YOUR FAVORITE NON-MUSIC THING TO DO

Includes gathering friends to cook a meal, reading, being silly in public, dancing.

* WHAT ARE YOU CURRENTLY WORKING ON MUSICALLY

Trying to improve my bandstand listening/arranging/following/remembering skills and learning tunes. Solo guitar/voice Album of original songs on the back burner

* WHAT’S YOUR GREATEST FANBOY MOMENT?

At a press conference for the 2013 Puerto Rico Heineken Jazz Fest I got the chance to publicly acknowledge Danny Rivera’s presence at said event and express my gratitude for his version of the Puerto Rican classic, Villancico Yaucano.

Louis Alexander Gasser Londoño

Louis Alexander Gasser Londoño

* CRAZIEST GIG EXPERIENCE

I almost played a gig In Vienna. This was our first stop of the tour. Being late to the show, our bandleader insisted on a soundcheck through about 3/4 of the other act’s time. After an exchange that included bandleaders yelling in a language I didn’t speak, warnings and death threats, our bandleader was punched in the face. The concert was canceled.

 

* WHERE DO YOU SEE YOURSELF IN 10 YEARS?

In debt but very healthy.

* YOUR WEBSITE

http://michaelbaldwinbruc.wixsite.com/louisalexander

* LINK TO A VIDEO OF YOU

Speaking at the National Fulbright Conference in Mexico

Here are a few pictures of my trip to Puebla, Mexico for the National Fulbright Conference. There were around 400 super inspiring people from all over the world, specializing in different fields of work. I did a 10-minute plenary talk about the synergy of chocolate and jazz.

My talk contained different listening examples of my improvisations and I made the audience guess within different categories what the sound example represented. “What color is this sound-bite“, or “what texture“, or “what would be the weather“, or “what is the emotion“, or what is the”flavor of this sound-bite“. It was remarkable to see that in almost all the examples was a unanimous answer in the audience. I really loved it because I felt it really described the process I go through when I’m live, improvising and composing while in the moment. Many things can inspire me to make certain sounds, or use certain apps or chors, rhythms and obviously, there are always different versions possible. Take for example the different shades of colors, like purple, which might be very close to what blue would sound like. Better said, in a 15-minute composition that is supposed to sound blue, there might be moments that might sound purple. Anyway, it was very fun to explain what we are doing with ChocoJazz; exploring new ways to express our art and even discovering a new genre in performance arts.

Puebla was a wonderful city and it was also very fun to be there for the ‘day of the dead’ celebration. After the conference – since Teddy was able to tag along – we decided to explore Mexico City for a couple of days and had an awesome touristy time before going back to New York.

NY Artist Q&A: Jesse Byrom-Carter

For this series of bloggy interviews I’ve shared questions with young artists and musicians living in New York. This time: Bass player and composer Jesse Byrom-Carter. In addition to the questions, we met up and played a few songs in my place in Brooklyn together. Here is our collaboration on the standard ‘Everything must change’. 

Q&A with Bass player – Jesse Byrom-Carter

* Where are you from, what do you miss about home?

I’m from Perth, Western Australia. I miss the beaches, good coffee (I’m a little snobby about it), the weather, my family and friends and especially my Dad’s home cooking!

* Favorite place in the city

That’s a hard one. I would say West Village for the vibe, proliferation of jazz clubs and bars. I also really like Central Park when the weather is good!

* Favorite new music

I’m really digging David Binney’s music. Especially albums like Anacapa, South, Welcome To Life and Graylen Epicenter. Wayne Shorter. His new quartet stuff and the album High Life. Some singer songwriters like Gabriel Kahane and Becca Stevens, Nine Inch Nails and Chris Potter’s Underground and solo albums.

* Favorite old music

Anything Motown, funk or soul influenced, Donny Hathaway, Stevie Wonder, Otis Redding, Al Green, Parliament Funkadelic. Old school jazz – Miles Davis, Coltrane, Wayne Shorter, Bill Evans Trio, Monk, Sonny Rollins, Hank Mobley, Clifford Brown, Dexter Gordon, Art Blakey, Mingus, Sergio Mendez and Brazil 66, Djavan, Milton Nascimento, Weather Report, Herbie Hancock, Jaco Pastorius….the list goes on.

* What’s your favorite non-music thing to do

Exploring the city, walking.

* What are your currently working on musically

I’m working on some new compositions that have more of a through composed, with some interesting chord changes and meters. I’m also working on some songs with vocals and lyrics written by yours truly, featuring some great NYC based vocalists. It may end up as some kind of concept album, we’ll have to wait and see. Also working on releasing my debut album featuring guitarist Adam Rogers and Grammy nominee Alan Ferber. It’s going to be called ‘The Next Tomorrow Is Yesterday’, relating to the pace of NYC. Before you know it, tomorrow is already yesterday and you still haven’t done that thing! Hopefully mid-late this year is my target.

* Whats your greatest fan boy / girl moment?

My biggest fanboy moment was meeting my bass hero John Patitucci and helping load his car after a gig. I’ll never forget it!

* Craziest gig experience

My craziest gig experience happened last year at the show ‘A Charlie Brown Christmas Live On Stage’. On tour, we played a show in a small town called Dixon Illinois. The theatre that were in had a small stage which we had to fit upright bass, drums, electric piano and any props/scenery for the show. The curtain was literally right behind my back, and brushed me any time it moved. There was a notable difference in temperature between the back of the stage and the front. Towards the end of the first act, the curtain started to balloon out from the center, causing a ripple wave-like effect through the curtain. At one point in the show, the waves became so big they threatened to completely engulf me and my bass! I just managed to desperately brush away the curtain as it was closing. Any moment of hesitation would have meant me and my bass being capsized live on stage! It was really hard trying to complete the rest of the show without bursting into hysterical laughter.

* Where do you see yourself in 10 years?

Still in New York, many records later. Touring with my own and other artists music, with less struggle, content and happy, living in a studio apartment in Manhattan. Possibly with a dog.

* Link to a video of you

The Next Tomorrow Is Yesterday – https://youtu.be/3WrAD-xewr0

* Link to your website

http://jessebyromcarter.com/

robin koerts collab

Robin Koerts Electronic collaboration – Video!

Let me tell you a little bit about my collaboration with Robin Koerts. You might have seen some clips or pics on the internet of us performing at various shows, but it’s pretty hard to get what we actually do on stage. And It’s actually one of the most inspiring things I do musically!

Koerts, Robin Koerts

My collaboration with Robin Koerts is a very diverse one. Every time I try to explain what we’re doing I come to the same conclusion: you have to see and hear it, to get it. First of, you need to know that Robin Koerts is one of best bass players in the Netherlands, and definitely one of the best bass players I know. Being a huge Jaco Pastorius fan, he has this groove over him, which trickles down in everything he does. Second of all, he watches a lot of movies, like a lot. The funny thing is, in these movies he hears or sees something that has a groove or a rhythm.

And then he tends to implements that in his music. Third, he makes short musical clips for one of the best watched talkshows of The Netherlands (De Wereld Draait Door) and they’re called ‘Soundbites’. In these soundbites clips he takes a small snippet of video material of something that he recently saw in the news. It could be a politician saying a sentence or a word, a host that is sighing, piece of the news where something went wrong. He loops these snippets and lays them over each other, making a groovy, looping song out of it.

So back to the part where Robin watches a lot of movies. In these movies he hears something that he could turn into a groove. It could be a guy from ‘King of the Hill’ that says:”I don’t know if we can save this engine” or he puts all the moments when people slap each other in the face in a loop so that I becomes a drumkick. Think the same with 150 snippets of car-doors closing. The guy is a walking drum computer.

In the shows that Robin and I do, we mix his and my creations up. I sing parts of my songs and he puts parts of his songs in his loop-pedal so he can start a video of his own made face-slapping, digeredoo playing, trumpet buzzing or car-door slamming groove, whenever he wants, whatever he wants. Sometimes the base for our songs is one of his originals, and sometimes it’s one of mine. But we always leave space for improvisation. A song that starts of as one of my originals, mixed up with his “I don’t know if we can save this engine” can turn into a snippet with the Beastie Boys, me playing my Korg R3 synthesizer and looping my voice at the same time, while Robin is grooving on his electric bass guitar..

Below is a video compilation of one my shows in the Netherlands with Robin Koerts which includes a lot of cool parts that show. But it’s best to just come to one of our shows and enjoy this cool collaboration between us! See you there!

Jazz & Chocolate in NYC

2015-01-24 23.57.47Ok, a little update for now. After graduating in Berklee I had a long break – almost 3 months – in the Netherlands. It was so great to be back and see my family and friends and have some quiet time in my new house.

I’ve been in Boston for the last few days jumping from airbed to couch to cat-sitting-house… Had superfun hangs with my Boston friends, and also working with Kenny Werner has been super intense but also amazingly inspiring.

And yesterday, finally, my Dutch boyfriend Ted – alias ChocoTed – got his contract an he will start May 1st as a pastry intern at this amazing restaurant in NYC… So next week I’ll go to NYC and start my adventures of working on a new project and wait till Ted gets here by the end of April.

I must say life after Berklee is a rollercoaster, but I’m determined to follow my heart and pursue my dreams.

 

Illuminus Boston

Last weekend I went to Boston Illuminus Festival, an evening with lights projected on buildings, interactive art and technology. More info on http://illuminusboston.org/

Here some pictures 🙂

Sleutelstad 071 Concert

foto 3On July 16th, 2014 there was a live radio show in Leiden, Scheltema from Radio Sleutelstad Fm. There were a lot of bands performing an evening of music. I had the fortune to play with two amazing peeps: Frans Heemskerk on piano and Tom Beek on Saxophone.

Btw, Frans will have his cd release on November 13th… so please check www.fransheemskerk.nl !! 🙂

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Concert with Lee Konitz & Florian Weber

2014-01-27 07.05.43Last January I organized a concert during the Leidse Jazz Week in the Hooglandse Kerk in the Netherlands, a big church in the center of Leiden. I really wanted to perform with Florian Weber and since he is on tour a lot with Lee Konitz we decided that it was nice to ask him too.

I was sponsored by the municipality of Leiden and some private sponsors and I’m very thankful that it came together with the programmer of the other concerts in the Church.

The whole weekend was amazing. Meeting and spending time with Lee and Florian, hearing his stories and sharing the stage was a life changing experience. I’m so humble and thankful for this opportunity!

See here some pictures.