Current
Recorded while traveling through the Dutch waterways, on a 1951 mahogany sailboat, the album weaves together voice, electronics, acoustic instruments, and field recordings of creaking wood, native birds, and rippling waves. Musicians Hermine Deurloo, Susanne Alt, and Adinda Meertins joined on the water.
Available on vinyl and cd with stickers and watermap!
For your GRAMMY® consideration
Best Engineered Album, Non-Classical / Best Alternative Music Album / Best Recording Package
Typuhthâng
Vocalist, performer & composer Vivienne Aerts’ award-winning album ‘Typuhthâng’ was released in 2023. Together with 100 next-generation female musicians, and in collaboration with Original Beans Chocolate, Typuhthâng’ [pronounce type-of thing] aims to empower the female cacao farmers of Virunga State Park in Congo and replant the rainforest.
Available on vinyl and cd, and, it comes with a delicious chocolate bar!
ICON award Intercontinental Music Awards (2025) / Global Music Awards (2024) – two silver medals for best alternative jazz & best female vocal jazz
Other albums
Why do we play answers, is written by Vivienne Aerts together with saxophonist Angelo Gregorio. It’s recorded in Bruxelles during Viv’s European tour and it contains Voice, Sax and Live Loops all resulting in an incredible grOOvy tune.
Polaroid is a snappy jazz a cappella EP about streetlamps and fireflys. Vivienne Aerts teamed up with Australian electronic producer Geoff Baker. Using her voice to the limits, Vivienne layers 40 vocals on a single song, mimicking basses, trumpets, strings and choirs.
Roofgarden features seven original songs with jazz quintet. Roofgarden is recorded and mixed by Bas Kisjes (2009) and Remastered by Geoff Baker (2011) On Guitar: Jeen Rabs / Bass: Bas Kisjes / Drums: Niek Woesthuis / Horns: Coos Zwagerman
A collaboration between guitarist Alex Labrie and vocalist Vivienne Aerts, songs that are easy to listen to, and close to the heart. Picture: Renzo Candido. Released September 6th, 2012.
Appears on
Noshir Mody – Architecture of Belonging, 2026
Worked on guitarist Noshir Mody’s new song, adding many many layers of vocal textures over his captivating guitar melodies.
For your GRAMMY® consideration – Best Global Music Performance
Nicole Zuraitis – the devil I knew, 2026
For the amazing composition of ‘back to you’ on the album the devil I knew, I recorded background vocals & worked on the vocal arrangement.
FOR YOUR GRAMMY® CONSIDERATION – BEST JAZZ VOCAL ALBUM
Noshir Mody – Abstractions, 2024
Sharing my voice on guitarist Noshir Mody’s new album Abstractions has been a fascinating journey. I’ve added many many layers of vocal textures over his captivating guitar melodies. Listen to ‘A Kiss Beneath The Stars’ – it’s worth your time.
w. Dan Pugach on drums, Thomas Hutchings on tenor saxophone, Campbell Charshee on keys, Benjamin Hankle on flugelhorn, Matt Geraghty, and Adrian Moring on bass, and vocal performances of Kate Victor, Vivienne Aerts, Simona Smirnova, and Radhika Vekaria.
“The sensual and romantic dreamscape of “A Kiss Beneath The Stars,” featuring Mody’s meditative coolness caressed by Vivienne Aerts’ heavenly, angelic voicings” – Jonathan Widran
Larry Miller – Springtime of Love, 2022
Features original compositions and lyrics by Larry Miller, with Kenny Werner on piano, Vivienne Aerts on vocals, Austin Vaughn on drums, Josh Werner on bass, Greg Castro on Guitar and Joyce Wells on vocals.
Kenny Werner – Church on Mars, 2019
Features Kenny Werner on piano, Fender Rhodes, and Hammond B3 Organ, David Liebman on tenor and soprano saxophones and flute, James Genus on bass, Terri Lynn Carrington on drums, and Vivienne Aerts on vocals. Exclusively on Vinyl for NewVelle Records.
“Church on Mars [is] arguably the finest release on Newvelle yet.” –Jazzwise, ★★★★
“Vivienne Aerts, who gives it a starry-eyed dryly heartfelt reading, her airy soprano relishing every syllable without a hint of pretense or being overly theatrical” – Mark Keresman in The New York Jazz Record.