robin koerts collab

Robin Koerts Electronic collaboration – Video!

Let me tell you a little bit about my collaboration with Robin Koerts. You might have seen some clips or pics on the internet of us performing at various shows, but it’s pretty hard to get what we actually do on stage. And It’s actually one of the most inspiring things I do musically!

Koerts, Robin Koerts

My collaboration with Robin Koerts is a very diverse one. Every time I try to explain what we’re doing I come to the same conclusion: you have to see and hear it, to get it. First of, you need to know that Robin Koerts is one of best bass players in the Netherlands, and definitely one of the best bass players I know. Being a huge Jaco Pastorius fan, he has this groove over him, which trickles down in everything he does. Second of all, he watches a lot of movies, like a lot. The funny thing is, in these movies he hears or sees something that has a groove or a rhythm.

And then he tends to implements that in his music. Third, he makes short musical clips for one of the best watched talkshows of The Netherlands (De Wereld Draait Door) and they’re called ‘Soundbites’. In these soundbites clips he takes a small snippet of video material of something that he recently saw in the news. It could be a politician saying a sentence or a word, a host that is sighing, piece of the news where something went wrong. He loops these snippets and lays them over each other, making a groovy, looping song out of it.

So back to the part where Robin watches a lot of movies. In these movies he hears something that he could turn into a groove. It could be a guy from ‘King of the Hill’ that says:”I don’t know if we can save this engine” or he puts all the moments when people slap each other in the face in a loop so that I becomes a drumkick. Think the same with 150 snippets of car-doors closing. The guy is a walking drum computer.

In the shows that Robin and I do, we mix his and my creations up. I sing parts of my songs and he puts parts of his songs in his loop-pedal so he can start a video of his own made face-slapping, digeredoo playing, trumpet buzzing or car-door slamming groove, whenever he wants, whatever he wants. Sometimes the base for our songs is one of his originals, and sometimes it’s one of mine. But we always leave space for improvisation. A song that starts of as one of my originals, mixed up with his “I don’t know if we can save this engine” can turn into a snippet with the Beastie Boys, me playing my Korg R3 synthesizer and looping my voice at the same time, while Robin is grooving on his electric bass guitar..

Below is a video compilation of one my shows in the Netherlands with Robin Koerts which includes a lot of cool parts that show. But it’s best to just come to one of our shows and enjoy this cool collaboration between us! See you there!

Ed Saindon’s new book

Ed Saindon en ik

Ed Saindon en ik

One of my well respected private instructors in Berklee, Ed Saindon – vibraphone – has just released the first volume of his book-series. Its worth checking out. Its called the complete guide to improvisation and it codifies and explains the principal concepts and techniques used by leading improvisors from now and then. The book will be released in four volumes, containing 21 chapters total. You’ll find theory, with hands on examples and practical routines to expand and refine your skills in the art of improvisation. Topics that will be discussed in volume 1 are; chord tone soloing / tension resolution / chord scales / harmonic applications for improvisation. In the other 3 volumes it will go deeper in to different applications of approaches like using upper structure triads, four note groupings, major 7#5 superimposition, pentatonics, side slipping, symmetrical diminished super imposition, symmetrical augmented techniques.

The books are easy to work with but contain material you can work with for ever. I’ve been using the books and his material for a while now and its amazing to discover all the possibilities of his techniques. On Ed Saindons website you can find more information about his book, but also study material, and related articles.. So check it out!

More info: http://www.edsaindon.com/Books.aspx

See here a video of Ed performing:

Workshop Mindful Improvisation

For a while – after getting my master degree as a Psychologist in the Netherlands I’ve been working in a private practice. Since I got to Berklee I have been (only) using these skills in my music using it as a tool for improvisation, so last summer I wanted to organize a workshop where people can combine mindfulness and improvisation. When I spoke with Bibi van den Dijck – a good friend of mine, we got inspired to organize a day together. Bibi is a classical trained vocalist and also teaches “free singing” to groups and individuals.

When you use music as a tool for improvisation you will notice more connection between the body and the brain. Also it very handy to be able to improvise in daily life. When people do the exercise we gave them, sometimes they would stumble upon some basic fears or habits they would have problems with in their lives. It was a super nice day, with a lot of insight and relaxation, and we will surely do it again next year!

Recording – Between Paris and Leiden

Ik zou nog langer kunnen blijven in Parijs, maar ik voelde dat het goed was. Ik was bijna een maand op tour en ik weet nu wel wat uit je rugzak leven is. In Boston heb ik ook niet veel spullen – ik kon zelfs op de fiets verhuizen naar mn nieuwe studentenkamer. Maar een plek hebben waar je spullen liggen, das toch wel fijn. Anyway, ik dus met de trein van Parijs naar Nederland, maar met tussenstop in Brussel. Daar ging ik op bezoek bij Carla, Italiaanse die ik ooit op een workshop bij Veneto jazz 2008 heb ontmoet. Ik had haar daarna nog een paar keer in Brussel gezien en omdat mijn trein langs Brussel reed besloot ik een extra stop te maken. Carla werkt als psycholoog en ze is getrouwd met Angelo Gregorio, een saxofonist. We zijn smiddags wat gaan drinken en savonds na het eten nog naar een Jamsessie. De volgende dag zou ik met de trein weer terug gaan maar Angelo vroeg me of we nog wat konden opnemen. Hij had net een nieuwe cd uit waarbij hij gebruikt maakt van live- looping waardoor hij in zijn eentje een heel saxofoon ensemble creëert. Daarnaast hadden we gesprekken over wat hem inspireert, zijn docenten – bijvoorbeeld George Garzone, ook een van mijn docenten – en zijn dromen. Ik raakte geinspireerd en koos een van mijn teksten en muziek. We onderzochten de mogelijkheden van een zang – sax duo…En, vervolgens namen we in een middag een nieuw nummer op. “Why do we play answers?” De tekst is tevens geinspireerd op mijn saxofoon docent Ed Tomassi die me vertelde dat veel (jonge) muzikanten altijd maar antwoorden willen spelen en dat het beter is om ook af en toe een vraag te spelen. Anyway, om niet in een filosofische discussie te belanden, je kan het nummer hier beluisteren, en natuurlijk aanschaffen 🙂

www.vivienne.bandcamp.com

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